Studies for violin and cello

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counter)induction performs Studies for violin and cello

Miranda Cuckson, violin

Caleb van der Swaagh, cello

Timbre is central to the development of the piece. It stems from Bachโ€™s C Sharp Minor Triple Fugue from the Well-tempered Clavierโ€™s Book I. From 4โ€™19โ€, the subject is exposed briefly, setting a melancholy tone that becomes crying whispers as the bow moves across every centimeter of the fingerboard. The piece starts climbing on 7โ€™47โ€ to its climax, 8โ€™53โ€, a harsh and raw rhythmic unison dominates the texture.

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