
Studies for violin and cello
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counter)induction performs Studies for violin and cello
Miranda Cuckson, violin
Caleb van der Swaagh, cello
Timbre is central to the development of the piece. It stems from Bachโs C Sharp Minor Triple Fugue from the Well-tempered Clavierโs Book I. From 4โ19โ, the subject is exposed briefly, setting a melancholy tone that becomes crying whispers as the bow moves across every centimeter of the fingerboard. The piece starts climbing on 7โ47โ to its climax, 8โ53โ, a harsh and raw rhythmic unison dominates the texture.